Working Format is a Vancouver-based design studio founded by Abi Huynh, Grace Partridge & Ross Milne specializing in graphic design, art direction and type design for print and screen. Working Format collaborates with creative agencies and clients throughout North America and Europe, producing a diverse body of work across cultural and commercial fields.

BC Government (Public Affairs Bureau), Victoria
Commercial Type, New York & London
The Cheaper Show, Vancouver
Chronicle Books, San Francisco
Douglas & McIntyre, Vancouver
Emily Carr University, Vancouver
Farmboy Fine Arts, Vancouver
Feliciano Type Foundry, Lisbon
Helen Pitt Gallery, Vancouver
Karacters, Vancouver
Read Leaf Books, Vancouver
Rethink, Vancouver
Rize Alliance, Vancouver
Shakespeare and Company, Paris
Simply Read Books, Vancouver
Sport BC, Vancouver
Typotheque, The Hague
Whitecap Books, Vancouver
Writeability, Toronto
Uitgeverij de Buitenkant, Amsterdam

Press
The Best Dutch Book Designs 2009 Stichting De Best Verzorgde Boeken, Amsterdam, 2010
Manystuff #2: About Your Process Manystuff, France, Oct 2010
Los Logos 5: Compass Die Gestalten Verlag, Berlin, Aug 2010
Just Design HOW Design Books. San Francisco, Fall 2010
Typolyrics Birkhauser. Berlin, Fall 2010
Its Nice That Issue #3 London, Apr 2010
Flaunt: Designing effective, compelling and memorable portfolios of creative work Under Consideration Press. Austin, Feb 2010
Data Flow 2 Visualizing Information in Graphic Design Die Gestalten Verlag. Berlin, Feb 2010
Regular Graphic Design Today Die Gestalten Verlag. Berlin, Sep 2009
Pie Paper #01, Repetition Auckland, New Zealand, Sep 2009
O2 Magazine Beijing, April 2009
Data Flow Contemporary Information Design Die Gestalten Verlag. Berlin, Fall 2008
New York Times Magazine, The College Issue illustration. New York, Sep 2008
Coupe Magazine, Issue #17, Annual Design & Image Awards. Toronto, Fall 2007

Awards
Lotus Awards 2010 (Merit): Best Complete Identity Program awarded to the Everyone type family
Graphex 2010 Award of Distinction awarded to the Charlie (Foxtrot) type family
Graphex 2010 Award of Distinction awarded to the Arietta type family
Alcuin Society Awards 2010 Excellence of Book Design awarded to Ellas Umbrellas
The Best Dutch Books 2009 the best in Dutch book design and publishing, awarded to the Tobias Frere-Jones, GNp catalogue
Chronicle Books Fellowship recipient of the Fall 2008 Publishing Fellowship
Graphex 2008 Award of Distinction awarded to Woo Magazine, Issue #3
GDC/BC Salazar Awards 2007 Winner, Print Design category awarded to Eating-In Vancouver
GDC/BC Salazar Awards 2007 Finalist, Print Design category awarded to Woo Magazine
GDC/BC Salazar Awards 2007 Finalist, Advertising category awarded to World Water Problem
Design 21 Social Design Network 2007 Judge’s Selection ’Stories from the Field’ identity competition

Exhibitions
World Book Design 2009-10 Printing Museum, Tokyo, Oct. 23, 2010 – Jan. 23, 2011
The Best Dutch Book Designs 2009 The Temporary Stedelijk, Stedelijk Museum, Amsterdam, Oct 16 – Nov 21, 2010
Working Format at Walrus with Julian Hecht Walrus, Vancouver, Oct 21 – Nov 16, 2010
Between Between-Between, London, Oct 29 – Nov 4, 2010
On Collections Emily Carr University Concourse Gallery, Vancouver, July 14 – 24, 2010
Don’t Believe The Type / Typecal The Hague Dutch Culture Centre, Shanghai, May 2010
Mannam/Meeting Project No. 08 and 08b. New York, Mar 2010 – Apr 2010
Dizajn pisma NL/SK Satelit Gallery. Bratislava, Slovakia, Feb 2010 – Mar 2010
Qompendium: Time Capsule Series Panatom, Berlin, curated by Manystuff, Dec 2008 – Jan 2009

Lectures
On Collections Emily Carr University book arts panel, Vancouver. July 17, 2010.
Motto Storefront workshop Artspeak, Vancouver.July 10, 2010.
Type and Media presentation Emily Carr University, Vancouver. July 10, 2010.

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Commercial Type ads


Working Format developed the initial marketing material for Commercial Type and oversees its expansion as new typeface releases demand ongoing promotional material for print and screen. The individual ads are intended to convey the personality of a given type family, at times focusing on a single aspect of a font or more commonly on the complexity of the full family of fonts. As a series the ads allow the unique quality of each typeface to establish a specific tone.

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