Working Format is a graphic design studio founded by Ross Milne, Grace Partridge and Abi Huynh, and based in Vancouver, Canada. Working Format exhibits a project-specific working process that has produced a diverse body of work that includes type design, signage, identity and printed matter. The studio has received numerous distinctions including recognition from The Best Dutch Books, Graphex 2008 and 2010, Coupe, Alcuin Society and Salazar awards.
↓ ↓ ↓ ↓
published by Shakespeare and Company, Paris
editor: Fatema Ahmed
George Whitman founded The Paris Magazine (not to be confused with The Paris Review) in 1967 and it continued with two subsequent issues (the last of which was published in the late 1980s). We were asked to design the fourth issue of the magazine (reincarnated as a journal) for the June 2010 FestivalandCo literary festival in Paris. Along with the typography and art direction we also drew an updated masthead for the publication.
credits ↓
Contributors: Tariq Ali, Daniel Arsham, Jesse Ball, Gregory Blackstock, Thordis Björnsdottir, Adelaide Docx, Lawrence Ferlinghetti, Rivka Galchen, Jeremy Harding, Michel Houellebecq, Alexander Kluge, Riikka Kuusisto, Saadat Hasan Manto, Todd McEwen, Marie NDiaye, Irène Némirovsky, Nigel Peake, Luc Sante, Jeanette Winterson. Edited by Fatema Ahmed. Set in
Brunel by Paul Barnes and
Graphik by Christian Schwartz. Published by Shakespeare and Company, printed by Cassochrome, 172 pages.
limited edition intaglio print, paper: Rives BFK Arches, June 2010
printed by Peter Braune, New Leaf Editions
A limited edition print created to be sold at Cheaper Show No. 9. The lettering is based on the type used in the Cheaper Show identity while departing from the rigid sans-serif in order to create an amalgam of type styles that reflect the diversity of the event itself.
designed with Jae Jeon
Mar 28 – Apr 25, 2010 (Second Dialogue)
Mannam curated by Hoon Kim and Andrew Sloat
This project responds to one of the only constraints of the open project brief—the location. The sites of Project No. 8 and Project No. 8b inspired a search for the past incarnations of these present-day storefronts: the story of the Division Street shop is told through narrative fragments from a varied and shadowy history; in contrast, the Orchard Street shop was the location of a sign fabricator that remains in business nearby. Selected fragments of their discarded signs have been brought back to Project No. 8 to be sold.
produced by Type and Media 08/09
edited by Abi Huynh and Dan Milne
A book produced by the Type and Media 08/09 class on occassion of the exhibition of Tobias Frere-Jones' work at KABK in March 2009. The book collects his work between 1987 and 2006, articles by Frere-Jones, as well as anecdotes and stories from friends and colleagues. The catalogue was selected as one of the Best Dutch Books of 2009.
credits ↓
Contributors: Dawn Barrett, David Berlow, Rachel Berger, Amanda Bowers, Sheila Levrant de Brettville, Matthew Carter, Neil Donnelly, Sasha Frere-Jones, Cyrus Highsmith, Jonathan Hoefler, Natalia Ilyin, GJ Nelson, Chris Vermaas and Dirk Wachowiak. Designed with Laure Afchain, Marta Bernstein, Charles Mazé and Sueh Li Tan. With specimen design support from Khajag Apelian, Ján Filípek, Ondrej Jób, Holger Königsdörfer, Dan Milne, César Puertas, all students of Type and Media 08/09. Coordinated by Jan Willem Stas. Set in Gotham Condensed and Poynter Oldstyle Text. Printed on Reviva Offset, Lynx, Fashion Rose and Popset Lichtgrijs. Published by Uitgeverij de Buitenkant, printed by Jan de Jong, 92 pages.
Specimens for the Commercial Type website
Working with the (amazing) type library of Commercial Type, and under direction from Paul Barnes and Christian Schwartz, we developed a set of PDF specimens for the Commercial website. The challenge was to create a grid system that would be ideal when printed on both 8.5 x 11 and A4 paper sizes. At the same time the atmosphere of the specimens had to be flexible and adaptive to the many different styles of typefaces in the CT library.
designed by Ross Milne
soon to be published by Typotheque
Charlie is a slab-serif type family with proportional weights that allow you to increase the size of the letters without increasing their weight. Charlie began as Ross Milne's thesis project Foxtrot that was created while attending the Type and Media program at the Royal Academy of Art in The Hague, Netherlands.
designed by Abi Huynh
slated to be released through Village
Arietta is a text face intended for short subject and non-fiction books, the family consists of a transitional roman with multiple text italics that provide modulating degrees of stylistic contrast from the roman. Arietta Book has a serious, unobtrusive tone while the three italic companions each produce distinct character and textural density.
Stag family designed by Christian Schwartz
Stag Sans Round by Ross Milne
published by Commercial Type
In 2009, the US edition of Esquire Magazine commissioned Stag Sans Round as an extension to the Stag family used throughout the magazine. Buy Stag Sans Round at Commercial Type and Village.
Custom display typeface commissioned by Karacters for Sport BC
'Everyone' was commissioned by Karacters for a display and headline typeface to be used throughout a campaign for Sport BC, an advocate for amateur sport initiatives in British Columbia.
Abi Huynh has previously worked as a graphic designer in Amsterdam and in New York City before joining Working Format. He holds an undergraduate degree from ECUAD in Vancouver and a Masters in type design from the Type and Media program at the The Royal Academy of Art in The Hague (KABK). He collaborates regularly with Commercial Type in London and New York.
Grace Partridge studied at the University of Calgary for her BFA and attained a B Des from the Emily Carr University, following her studies she worked as a graphic designer in the Netherlands, and in 2008 she was a design fellow at Chronicle Books in San Francisco. Grace currently teaches bookmaking at ECUAD.
Ross Milne holds a Masters in type design from the Type and Media course at KABK and an undergraduate degree from ECUAD. He worked as a freelance graphic designer in San Francisco, alongside his practice Ross currently teaches type design at ECUAD. He works as a type designer on projects for Typotheque in The Hague and Commercial Type in London and New York.
Press
Type Sketchbooks Thames & Hudson. New York, Fall 2010.
The Good Design Book HOW Design Books. San Francisco, Fall 2010.
Typolyrics Birkhauser. Berlin, Fall 2010.
Its Nice That Issue #3 London, Apr 2010.
Flaunt: Designing effective, compelling and memorable portfolios of creative work Under Consideration Press. Austin, Feb 2010.
Data Flow 2 Visualizing Information in Graphic Design Die Gestalten Verlag. Berlin, Feb 2010
Regular Graphic Design Today Die Gestalten Verlag. Berlin, Sep 2009.
Pie Paper #01, Repetition Auckland, New Zealand, Sep 2009.
O2 Magazine Beijing, April 2009.
Data Flow Contemporary Information Design Die Gestalten Verlag. Berlin, Fall 2008.
New York Times Magazine, The College Issue illustration. New York, Sep 2008.
Coupe Magazine, Issue #17, Annual Design & Image Awards. Toronto, Fall 2007.
Awards
Graphex 2010 Award of Distinction awarded to the Charlie (Foxtrot) type family.
Graphex 2010 Award of Distinction awarded to the Arietta type family.
Alcuin Society Awards 2010 Excellence of Book Design awarded to Ellas Umbrellas.
The Best Dutch Books 2009 the best in Dutch book design and publishing, awarded to the Tobias Frere-Jones, GNp catalogue.
Chronicle Books Fellowship recipient of the Fall 2008 Publishing Fellowship.
Graphex 2008 Award of Distinction awarded to Woo Magazine, Issue #3.
GDC/BC Salazar Awards 2007 Winner, Print Design category awarded to Eating-In Vancouver.
GDC/BC Salazar Awards 2007 Finalist, Print Design category awarded to Woo Magazine.
GDC/BC Salazar Awards 2007 Finalist, Advertising category awarded to World Water Problem.
Design 21 Social Design Network 2007 Judge’s Selection ’Stories from the Field’ identity competition.
Exhibitions
On Collections Emily Carr University Concourse Gallery, July 14 – 24, 2010.
Don't Believe The Type / Typecal The Hague Dutch Culture Centre, Shanghai, May 2010.
Mannam/Meeting Project No. 08 and 08b. New York, Mar 2010 – Apr 2010.
Dizajn pisma NL/SK Satelit Gallery. Bratislava, Slovakia, Feb 2010 – Mar 2010.
Qompendium: Time Capsule Series Panatom, Berlin, curated by Manystuff, Dec 2008 – Jan 2009.
Lectures
On Collections Emily Carr University book arts panel, Vancouver. July 17, 2010.
Motto Storefront workshop Artspeak, Vancouver.July 10, 2010.
Type and Media presentation Emily Carr University, Vancouver. July 10, 2010.
Clients
Commercial Type, New York & London
The Cheaper Show, Vancouver
Chronicle Books, San Francisco
Douglas & McIntyre, Vancouver
Emily Carr University, Vancouver
Feliciano Type Foundry, Lisbon
Foam_Fotografiemuseum, Amsterdam (at Vandejong)
Karacters, Vancouver
Read Leaf Books, Vancouver
Shakespeare and Company, Paris
Simply Read Books, Vancouver
Typotheque, The Hague
Whitecap Books, Vancouver
Farmboy Fine Arts, Vancouver
Uitgeverij de Buitenkant, Amsterdam